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, starring Jimmy Cliff, who also recorded this really wonderful cover version.Paul grew up in Brixton, an area of South London that at the time was primarily populated by West Indian immigrants, many of whom had arrived in the UK as part of the “Windrush generation” of post-war Afro-Caribbean immigration, a movement encouraged by the British government to counter labor shortages.
Following the band’s decision to fire Bernard Rhodes, she took over as their manager and helped arrange their US tour and much of the promotion for doesn’t even feature any interviews with her, focusing instead on Bernard as the manager-antagonist-svengali.
The subsequent documentary by Julien Temple that focuses solely on Joe Strummer does a much better job highlighting women’s contributions. Caroline Coon served as a special consultant to the filmmaking staff and Paul acted as a member of an English band on their first US tour.
Though initially denied a wide release–audiences at a test screening in Denver thought it was depressing, thanks Denver–the film has since become a cult classic, inspiring a lot of punk girl Halloween costumes and my own band’s first show. In spite of their controversial name, the Explosions were a big hit in Japan and Pearl often joined the Clash onstage for encores.
He began learning to play the bass instead, marking the notes on the neck of the instrument with tape and stickers.
A classically trained painter, he created banners and backdrops for the band’s live shows, painted a large mural of a car dump in their practice space, and worked extensively on their clothing and general visual impact.
Paul developed an interest in reggae and dub music at an early age, frequenting matinee dances at the Streatham Locarno with his friends, many of whom were affiliated with antiracist or two-tone skinhead groups.